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Mr. Cabrera
Fine Arts
acabrera@cghs.dadeschools.net
Cavalier Chorale | Cavalier
Singers
Cavalier Chorale
(Chorus I, II, III, IV)
Course Description / Overview
Anthony Cabrera, Director
Room 801
(305)443-4871 X255
·
Major Concepts/Content.
The purpose of this course is to enable students to develop basic
individual and ensemble skills in choral performance through preparation of varied
high school literature. Emphasis will be placed on healthy and expressive singing,
accurate interpretation of notation, and development of critical and aesthetic
response to music.
The content includes, but is not limited to, the following:
- vocal production
- choral performance techniques
- music literacy
- sight reading and ear training
- elements and characteristics of music
- improvisation, composition, and arranging
- performance analysis
- role and influence of choral music and musicians
- connections between music and other subject areas
- responsible participation in music activities
·
Special Note.
This course generally requires students to participate in extra rehearsals
and performances beyond the school day.
·
Course Requirements.
These requirements include, but are not limited to, the benchmarks from the
Sunshine State Standards that are most relevant to this
course. Benchmarks correlated with a specific course requirement may also
be
addressed by other course requirements as appropriate. The benchmarks
printed
in regular type are required for this course.
After successfully completing this course, the student will:
·
Demonstrate use of healthy, age-appropriate
vocal skills through
performance
of high school choral literature of varied styles.
MU.A.1.4.1 sing accurately, with and without accompaniment, standard choral
repertoire (e.g., music written in four-, five-, or six-part
madrigal or double choir) with appropriate
vocal technique.
·
Demonstrate use of basic solo and ensemble
techniques through
performance
of high school choral literature of varied styles.
MU.A.1.4.2 use appropriate vocal styles and techniques of various
music literature (e.g., jazz, Baroque, gospel, and swing).
MU.A.1.4.3 use ensemble skills (e.g., balance, intonation, and rhythmic
unity) in both formal and informal settings, with choral groups of various sizes and
styles (e.g., concert choir, show choir, barbershop quartet, octet, and madrigal).
·
Demonstrate basic music literacy by
performing melodic and
rhythmic notation accurately and expressively through sight reading and
practiced performance.
MU.A.2.4.1 perform on at least one instrument, alone and in groups, using
proper playing technique (e.g., embouchure, posture, or bow control) and attend to melodic
phrasing, rhythmic accuracy, and articulation.
(Note: Instruments may include the use of recorders, rhythm sticks,
keyboards, ethnic instruments, etc., to enhance reading skills or provide accompaniment.)
MU.A.3.4.1 sight read ones part in a four-part vocal or
instrumental
score.
MU.A.3.4.2 describe how traditional and nontraditional notation and symbols
of a written score provide information to the performer (e.g., repeats, key and meter
changes, themes, and motifs).
·
Notate from dictation the pitch and rhythm of
a simple phrase
(e.g., stepwise motion; rhythm patterns using half, quarter, and eighth
notes).
MU.A.2.4.4 perform melodic phrases accurately, after hearing them
only once.
MU.A.3.4.3 write the notation for a simple harmonic progression
performed by someone else.
·
Demonstrate awareness of the characteristics
and functions of
significant elements (e.g., tonality, meter, style, form, genre) in the
reading and performance literature studied.
MU.D.1.4.1 perceive and remember significant music events within a
composition.
MU.D.1.4.2 analyze music events within a composition, using appropriate
music principles and technical vocabulary.
·
Identify and demonstrate use of expressive
techniques (i.e., tempo, dynamics, articulation, and phrasing) appropriate to the culture,
style, and historical period of the literature studied.
MU.C.1.4.1 describe and classify unfamiliar music according to style,
period, composer, culture, or performer.
·
Create improvisations appropriate to the
literature studied.
MU.B.1.4.1 improvise harmonic accompaniments in pentatonic, major, and
minor modes.
MU.B.1.4.2 improvise melodies over a given chord progression with
appropriate notes and rhythm.
·
Compose and arrange music for specific uses
such as sight reading.
MU.B.2.4.1 use basic principles to create compositions in distinct styles
and in different media to express an idea or feeling.
MU.B.2.4.2 arrange familiar music for voices or instruments for a
specific event or function.
·
Develop criteria and analyze varied music
performances as a
participant
or listener.
MU.D.1.4.3 understand the musical elements and expressive techniques (e.g.,
tension and release, tempo, dynamics, and harmonic and melodic movement) that generate
aesthetic responses.
MU.D.2.4.1 establish a strategy for making informed, critical evaluations
of the quality and/or the effectiveness of a performance.
MU.D.2.4.2 understand the criteria used in the critical evaluation of
ones own and others performances, arrangements, and
improvisations.
·
Demonstrate awareness of the role and
influence on choral music and musicians in history, culture, society, and ones own
life.
MU.C.1.4.2 understand the development of American music
(e.g., country, blues, folk, stage or film, and gospel).
MU.C.1.4.3 understand the influence of significant composers and performers
on music styles, traditions, and performance practices.
MU.E.1.4.2 understand how the uniqueness of a given work of music serves to
define its artistic tradition and its cultural context.\
MU.E.2.4.2 use informed consumer choices concerning music based on personal
criteria (e.g., rationalize and defend music preferences).
MU.E.2.4.3 know the various roles that musicians perform
(e.g., entertainer, teacher, or transmitter of cultural tradition),
representative individuals who have functioned in these roles, and their achievements.
·
Demonstrate awareness of the connections
between music and other subject areas.
MU.E.1.4.1 understand how elements, artistic processes, and organizational
principles are used in distinctive ways and provide connections between music and other
subjects.
·
Demonstrate responsible participation in
music activities.
MU.E.2.4.1 know characteristics that make music suitable for specific
occasions and purposes and respond appropriately within various musical settings.
Cavalier Singers
(Vocal Ensemble I, II, II, IV)
Course Description / Overview
Anthony Cabrera, Director
Room 801
(305)443-4871 X255
·
Major Concepts/Content.
The purpose of this course is to enable students to develop basic
individual and ensemble skills in choral performance through preparation of varied
high school literature. Emphasis will be placed on healthy and expressive singing,
accurate interpretation of notation, and development of critical and aesthetic
response to music.
The content includes, but is not limited to, the following:
- vocal production
- choral performance techniques
- music literacy
- sight reading and ear training
- elements and characteristics of music
- improvisation, composition, and arranging
- performance analysis
- role and influence of choral music and musicians
- connections between music and other subject areas
- responsible participation in music activities
·
Special Note.
This course generally requires students to participate in extra rehearsals
and performances beyond the school day.
·
Course Requirements.
These requirements include, but are not limited to, the benchmarks from the
Sunshine State Standards that are most relevant to this
course. Benchmarks correlated with a specific course requirement may also
be
addressed by other course requirements as appropriate. The benchmarks
printed
in regular type are required for this course.
After successfully completing this course, the student will:
·
Demonstrate use of healthy, age-appropriate
vocal skills through
performance
of high school choral literature of varied styles.
MU.A.1.4.1 sing accurately, with and without accompaniment, standard choral
repertoire (e.g., music written in four-, five-, or six-part
madrigal or double choir) with appropriate
vocal technique.
MU.A.1.4.2 use appropriate vocal styles and techniques of various
music literature (e.g., jazz, Baroque, gospel, and swing).
MU.A.1.4.3 use ensemble skills (e.g., balance, intonation, and rhythmic
unity) in both formal and informal settings, with choral
groups of various sizes and styles (e.g., concert choir, show
choir, barbershop quartet, octet, and madrigal).
·
Demonstrate use of basic solo and ensemble
techniques through
performance
of high school choral literature of varied styles.
MU.A.1.4.2 use appropriate vocal styles and techniques of various
music literature (e.g., jazz, Baroque, gospel, and swing).
MU.A.1.4.3 use ensemble skills (e.g., balance, intonation, and rhythmic
unity) in both formal and informal settings, with choral groups of various sizes and
styles (e.g., concert choir, show choir, barbershop quartet, octet, and madrigal).
·
Demonstrate basic music literacy by
performing melodic and
rhythmic notation accurately and expressively through sight reading and
practiced performance.
MU.A.2.4.1 perform on at least one instrument, alone and in groups, using
proper playing technique (e.g., embouchure, posture, or bow control) and attend to melodic
phrasing, rhythmic accuracy, and articulation.
(Note: Instruments may include the use of recorders, rhythm sticks,
keyboards, ethnic instruments, etc., to enhance reading skills or provide accompaniment.)
MU.A.3.4.1 sight read ones part in a four-part vocal or
instrumental
score.
MU.A.3.4.2 describe how traditional and nontraditional notation and symbols
of a written score provide information to the performer (e.g., repeats, key and meter
changes, themes, and motifs).
·
Notate from dictation the pitch and rhythm of
a simple phrase
(e.g., stepwise motion; rhythm patterns using half, quarter, and eighth
notes).
MU.A.2.4.4 perform melodic phrases accurately, after hearing them
only once.
MU.A.3.4.3 write the notation for a simple harmonic progression
performed by someone else.
·
Demonstrate awareness of the characteristics
and functions of
significant elements (e.g., tonality, meter, style, form, genre) in the
reading and performance literature studied.
MU.D.1.4.1 perceive and remember significant music events within a
composition.
MU.D.1.4.2 analyze music events within a composition, using appropriate
music principles and technical vocabulary.
·
Identify and demonstrate use of expressive
techniques (i.e., tempo, dynamics, articulation, and phrasing) appropriate to the culture,
style, and historical period of the literature studied.
MU.C.1.4.1 describe and classify unfamiliar music according to style,
period, composer, culture, or performer.
·
Create improvisations appropriate to the
literature studied.
MU.B.1.4.1 improvise harmonic accompaniments in pentatonic, major, and
minor modes.
MU.B.1.4.2 improvise melodies over a given chord progression with
appropriate notes and rhythm.
·
Compose and arrange music for specific uses
such as sight reading.
MU.B.2.4.1 use basic principles to create compositions in distinct styles
and in different media to express an idea or feeling.
MU.B.2.4.2 arrange familiar music for voices or instruments for a
specific event or function.
·
Develop criteria and analyze varied music
performances as a
participant
or listener.
MU.D.1.4.3 understand the musical elements and expressive techniques (e.g.,
tension and release, tempo, dynamics, and harmonic and melodic movement) that generate
aesthetic responses.
MU.D.2.4.1 establish a strategy for making informed, critical evaluations
of the quality and/or the effectiveness of a performance.
MU.D.2.4.2 understand the criteria used in the critical evaluation of
ones own and others performances, arrangements, and
improvisations.
·
Demonstrate awareness of the role and
influence on choral music and musicians in history, culture, society, and ones own
life.
MU.C.1.4.2 understand the development of American music
(e.g., country, blues, folk, stage or film, and gospel).
MU.C.1.4.3 understand the influence of significant composers and performers
on music styles, traditions, and performance practices.
MU.E.1.4.2 understand how the uniqueness of a given work of music serves to
define its artistic tradition and its cultural context.\
MU.E.2.4.2 use informed consumer choices concerning music based on personal
criteria (e.g., rationalize and defend music preferences).
MU.E.2.4.3 know the various roles that musicians perform
(e.g., entertainer, teacher, or transmitter of cultural tradition),
representative individuals who have functioned in these roles, and their achievements.
·
Demonstrate awareness of the connections
between music and other subject areas.
MU.E.1.4.1 understand how elements, artistic processes, and organizational
principles are used in distinctive ways and provide connections between music and other
subjects.
·
Demonstrate responsible participation in
music activities.
MU.E.2.4.1 know characteristics that make music suitable for specific
occasions and purposes and respond appropriately within various musical settings.
Coral Gables Senior High
450 Bird Road
Coral Gables, Florida
305-443-4871
Last updated February 02, 2006